Where Are You Going, Where have You Been Essay Example for Free

Where Are You Going, Where have You Been Essay Vanity can be uncovered as ones biggest shortcoming. Where Are You Going, Where have You Been, a short story composed by Joyce Carol Oates, depicts Connies misguided judgment of magnificence as her lone worth, and furthermore the manners by which Arnold Friend, a potential attacker and killer, controls and exploits Connies vanity. Connie is a multi year old young lady who knows the degree to which her excellence can be utilized to further her potential benefit. Connie realized she was pretty and that was everything. In any case, excellence causes Connie to get vain, and along these lines gives Connie the misguided judgment that she is more remarkable than the young men that are pulled in to her. This demonstrates Connie trusts her excellence permits her to rise above others, particularly young men. Accordingly, despite the fact that her beauteous body can be viewed as an advantage to Connie, her vanity demonstrates to turn into her definitive shortcoming and it prompts her destruction as observed when Arnold Friend states I took an exceptional enthusiasm for you, such a pretty young lady. Connie gets frail in Arnold Friends nearness since he controls and exploits her vanity and want for consideration. Connies recently discovered sexuality as a youngster gives her power over the young men she experiences at spots, for example, the fly-pervaded drive in, which she portrays as a safe house and gift they longed for. The drive, wherein is fly-plagued as a general rule, is the sacrosanct structure where Connie accepts that her excellence can be genuinely valued, though at her home, magnificence isn't recognized in any way. Therefore, Connie further grasps her magnificence so as to satisfy her requirement for consideration. In her trashy fantasies, Connie depicts young men as broke down into a solitary face that was not by any means a face yet a thought. Connie is more tempted by having a sweetheart, which shows that she couldn't care less much for the real kid. This permits Connie to be all the more handily overwhelmed by Arnold Friends camouflage when he first approaches her home to remove her. This is clear when Connie states that for a second [Arnold] wasnt even in concentrate however was only a haze remaining there against his gold vehicle This shows Arnold turns into the idea of aâ boyfriend to Connie, which isn't even a face yet a thought. Arnold inevitably utilizes his chance as a potential beau to compliment and at last overwhelm Connie at long last. A longing can subvert ones capacity to monitor ones self from enticing variables. Connies absence of consideration from her family, particularly her dad, incites her craving to be needed by a man. Her longing for consideration is seen by Arnold Friend, and hence he utilizes that craving to further his potential benefit. By transforming Connies want into her shortcoming, he utilizes manipulative strategies to overwhelm her vain character. As a young person, Connie can't genuinely distinguish herself. Connie is both a girl and a sister to her family. Be that as it may, her vanity and triviality makes her become a sexual item to young men too, and along these lines she is bothered regarding which job she can genuinely distinguish herself with. Because of Connies character emergency, Arnold Friend utilizes this to further his potential benefit and overwhelms Connie by further perplexing her with blended sentiments of both viciousness and energy. This is clear when Arnold takes steps to hurt Connies family while endeavoring to tempt her with blandishment, for example, I like them the manner in which you are, nectar, also. Arnold Friend mentally controls Connie by acting both cherishing and vicious, and this causes Connie to get feeble in Arnolds nearness since she isn't familiar with a guys who are so bipolar in feelings towards her. In any case, there is no surge or criticalness as Arnold Friend calmly talks with Connie. This develops to the anticipation up until Connie at last understands the risk she is in and everything she could do is shout into the telephone. In spite of the fact that Connie is up to speed between the personalities of being a girl, sister, and an object of sexuality, Connies reason for these various jobs is fixed upon physical appearance. Connie thinks about her excellence to her mom and sister, and she is continually checking different people groups countenances to ensure her own was OK. This shows Connie on a very basic level qualities physical excellence over every other factor. Albeit a peculiar experience is foreshadowed when Arnold cautions Connie going to get you, angel, Connie permits Arnold to talk with her since she enjoyed the manner in which he was dressed. This further demonstrates Connie is submerged with just the shallow, and thisâ gives Arnold the opportunity to overwhelm Connie by turning out to be what she wants. Arnold knows that Connie is principally worried about external appearances, and this permits him to introduce himself in an alluring way towards Connie. Connies powerlessness to dismiss the shallow in time brought about her inability to perceive Arnolds mask, and therefore he had the option to overwhelm her. Despite the fact that Connie considers herself a talented tease, she is before long generalized as simply the pretty young lady. Arnold Friend says, What else is there for a young lady like you however to be sweet and lovely and surrender? This demonstrates Connie, a young lady who esteems magnificence as the best worth, will be unavoidably overwhelmed by a man who esteems and wants excellence also. Music is both a safe house and introduction to Connie. At whatever point Connie hears music, she feels a gleam of moderate beat euphoria that appeared to rise bafflingly out of the music itself. Connie was about the music that made everything so great. Music is made into such a significant substance, that it is nearly given its own character. Music represents security and wellbeing, and she even portrays the music at the drive-in as music at a community gathering; it was something to rely on. By contrasting it with chapel, she shows that music is a type of religion to her. In any case, music as a religion doesn't bring Connie salvation. In spite of the fact that music is viewed as Connies shelter, it prompts her weakness before Arnold Friend. One manner by which Arnold can pick up Connies trust is through his camouflage and poor endeavor to become like the man in the well known high school melodies. Be that as it may, music is likewise a factor controlled by Arnold and he utilizes it against her. Music is an asylum for Connie and Arnold knows about that. A similar melody that was playing both Connies home and Ellies vehicle appeared to mix together. The music, vehicle, and outfit is totally utilized by Arnold Friend as an approach to turn into the sort of sweetheart portrayed in the adolescent tunes, and Connie succumbs to this pretense and acknowledges his veneer. Arnolds discourse was spoken with a slight cadenced lilt and Connie some way or another remembered them Connie accepts that she perceives Arnold simply because he appears to have come out from the high schooler tunes she generally tunes in to. As Connie acknowledges Arnold isn't the romanticized man in the tunes, she loses acknowledgment of everything that she knows about. She says that the kitchen seemed as though a spot she had never observed. This shows that Arnold removes more than Connies music; he removes Connies life and everything else she knows about. Connie misconstrues that everything is how it was in films and guaranteed in tunes. She accepts that her life will imitate the specific sweetheart and life that is guaranteed in the melodies, which is only an insignificant dream and fancy in Connies case. Subsequently, Arnold tempts Connie by giving off an impression of being what was guaranteed in the tunes, and overwhelms Connie by utilizing music as a device. Arnold Friend is further ready to overwhelm Connie in light of the fact that she is uncertain of her character that she has at home and wherever else that isn't home. Young people frequently are pained by the way that they are no longer kids, however they are still not yet grown-ups. Thus, Connie grasps the main thing she is sure of; her excellence. By overemphasizing the estimation of excellence, she becomes vain and conceited. In spite of the fact that she is upset by her high school disturbance, her family doesn't give her any ethical help or direction. Like Arnold Friend, her family isn't what they appear. Arnold puts on a pretense so as to turn into the glorified man in famous high schooler tunes. In likeness, her folks have all the earmarks of being commonplace guardians, yet they end up being somewhat separated from Connies need. Connies father was away grinding away more often than not, and didnt trouble talking a lot to them. Thus, Connie expected to look for male consideration somewhere else, for example, from the young men at the drive in. Arnold Friend knew about Connies want for consideration, particularly from guys, and subsequently utilized it to further his potential benefit to overwhelm her. Indeed, even her mom appears to not be worried about Connies want for consideration. In spite of the fact that now and again Connie and her mom are nearly companions over espresso, an issue emerges that makes the two contend over something of little incentive to both of them. Connie shows that her mom had been pretty once as well and thus, Connie accepts that her mom lean towards her over June, who is plain and stout and consistent. This urges Connie to accept that genuine worth lies in excellence, and along these lines she tragically embraces vanity. This prompts Arnolds control of Connies excellence and want, which prompts his strengthening over Connie. Because of her folks absence of concern and direction, Connie is frail when gone up against by Arnold Friend. She doesn't have the foggiest idea how to protect herself,â and just depends on her being a tease, her magnificence, and the dream that music speaks to. Connie was not educated by her folks acceptable behavior towards outsiders. This is apparent in light of the fact that Connies guardians would not pose her undeniable parental inquiries, for example, Where are you going? or on the other hand Where have you been? Because of the guardians absence of concern, Connie exploits her folks indifferent trust and goes out to places where guardians would for the most part object to. Notwithstanding, Connie feels regretful about misdirecting her mother, who is straightforward and kind enough But the allurements of the drive-in and the young men overwhelm that blame. This anticipates Connies